However, the destination that Lost Ollie eventually arrives at is potent and powerful enough to justify even its most dour moments. Its interest in the latter topic leads Lost Ollie down some surprisingly dark paths, some of which may prove to be too nihilistic for its inevitably young viewers. Over the course of its four episodes, the series reveals itself to be not just about one child’s struggle to adapt to the painful realities of the world, but also about the ways in which love can endure through even the most lengthy passages of time. But Lost Ollie ultimately has higher ambitions than its Toy Story-esque premise would suggest. The series, which is based on William Joyce’s 2016 children’s book, Ollie’s Odyssey, initially seems to be little more than a playful, straightforward tale of one lost toy’s journey back to its owner. It’s at the center of Netflix’s newest miniseries, Lost Ollie, too. This moment of transition, as well as the collateral damage it leaves in its wake, is at the heart of countless beloved children’s movies, including all four Toy Story films. All the best children’s stories understand this, and, more often than not, the first major goodbye of a child’s life is the one they say to their favorite toy when they realize they’ve outgrown it.
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It’s a universal truth that growing up means, among other things, learning how to say goodbye.
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